Let's look at bars 8 and 9.
The chords are a simple chromatic approach from Am7 to C7. Peter plays G dim7 chord on C7. This is a same chord with C7b9/G.
Bars 10 and 11.
This is very good example of how Peter uses quartal voicing for supporting melody note. Top notes are simply melodies and supported by quartal voicings.
Little movement on E7 is a chromatic approach to a typical E7 voicing (root on 5th string). The approaching little chord is also a quartal voicing.
The chords are a simple chromatic approach from Am7 to C7. Peter plays G dim7 chord on C7. This is a same chord with C7b9/G.
Bars 10 and 11.
This is very good example of how Peter uses quartal voicing for supporting melody note. Top notes are simply melodies and supported by quartal voicings.
Little movement on E7 is a chromatic approach to a typical E7 voicing (root on 5th string). The approaching little chord is also a quartal voicing.
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